Whether it's coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, this exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross and Greg Bear.
The universe shifts and changes: suddenly you understand, you get it, and are filled with a sense of wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it's coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it's hard science-fiction where sense of wonder is most often found and where science-fiction's true heart lies. The exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross, Kristine Kathryn Rusch and Gwyneth Jones.
Tsarina, Gennady had made his final plea. "Your research into metastables," Gennady went on. "I need it. All of it, and the equipment and the backups; anything that might be used to reconstruct what you did." "What happens to the Earth is no longer our concern," Egorov said with a frown. "Humanity made a mess here. It's not up to us to clean it up." "But to destroy it all, you only need to be indifferent! And I'm asking, please, however much the world may have disappointed you, don't leave it
the most urgent case?" The doctor's dismay was visible. "I'm afraid not. You underestimate how many people have sustained radiation damage. You were inside a reaction mass tank, were you not? You may be the least affected person on the entire ship. Everyone's been coming in with techné damage and odd brain lesions: memory loss, cognitive degradation, all sorts of stuff. Our progenitors didn't design us to take this kind of damage. I'm still working on a triage list. You're at the bottom of it;
tears in my ears from lying on my back in bed and crying over you. Was that how it went? He'd never cried when he could drink. Emotions had to come out sometime, somehow, medical dogma claimed, but he'd tried to postpone that time until someone knocked him over the head in a dark alley and killed him. He hummed the tune, then chortled. Riku made a sour warning snort. "Silence, O revered Bodhisattva Riku." Kyo laughed until the laughs turned into long, ragged sobs, which Riku, as usual, ignored.
the AOR - produce a range of sounds with a mean frequency of 197Hz, full of pauses, clicks, and phonemes. Engaged biothermals - at least, those whose somatic movements suggest "mild-to-moderate incapacitation" according to the Threat Assessment Table - emit simpler, more intense sounds: keening, high-frequency wails that peak near 3000 Hz. These sounds tend to occur during engagements with significant collateral damage and a diffuse distribution of targets. They occur especially frequently when
distortions and visual paradoxa of Dali, Escher, Magritte, the decompressions into art that denied itself as art, Rauschenberg, Johns, Lichtenstein, the comic antics of Warhol and Koons and a thousand others, Dadaists, Fauves, frauds, Freudians, unpeelers of pretence and its practitioners, and through it all the slowly ebbing passion, the curdling of my cynical eye observing everything into nothing... All of this a millionfold, birth, copulation, and death. "Bev," I said, "help me," and tears